A blog containing some poetry and my thoughts on poetry. For now, I'm just using my own, although I will probably pick a line or two from someone else's now and then. I hope you enjoy it.
Tuesday, August 28, 2012
I haven't forgotten to post, I just haven't been writing. I do think about it occasionally, but I just don't follow up on it. Interesting times anyway. I've started a new semester, and I'm dealing with the changes involved. It usually takes a couple of weeks to sort it all out and get a flow going, so I'm going to be busy doing that. As soon as I have something of value to post, I will post it. Until then, be well.
Monday, May 14, 2012
Okay, don't go into shock. Two posts in the same week! Wow. I was sitting in a restaurant with my trusty tablet with me, and got into a weird mood, and started writing. I do that on occasion, and sometimes I even get something from it that's worth keeping. You'll have to decide that one for yourselves, I guess. Anyway, here they are.
Who Chose?
Who chose the colors of the sky
or the trees and rocks
Who sat there and thought
green would look good
against the blue
Maybe white for the clouds
That had to be tough
the water was already blue
Clouds are water
but they're white
or dark grey
Where did the blue go
when the water stopped
being a lake?
c. 2012 C. Thames
I was looking at a small lake, then at the clouds, then back at the lake, and that one hit me. I was following up on the Who idea for the next one.
Who Asks?
Who asks the water
to stop being a river
and start being a cloud
Do the drops get together
and decide
We're out of here!
Or, do the ones in the sky
invite the rest
Come on up for a party
Hang for a while
go home later
It's a cool deal
hanging in a cloud
Circle the world
then rain on a flower
Getting flushed can't be fun
but it's gone
back home.
c. 2012 C. Thames
Who asks the water
to stop being a river
and start being a cloud
Do the drops get together
and decide
We're out of here!
Or, do the ones in the sky
invite the rest
Come on up for a party
Hang for a while
go home later
It's a cool deal
hanging in a cloud
Circle the world
then rain on a flower
Getting flushed can't be fun
but it's gone
back home.
c. 2012 C. Thames
I don't know that I like the second one that much. It feels like it kind of falls apart in the last stanza. I've been thinking about cycles lately, and both of these kind of represent that, in their own way. Different ideas, different ways of looking at things. All that. Maybe that's the point of poetry? Present a new way of looking at things? I don't know. It is kind of fun, though.
Sunday, May 13, 2012
Three More
Wow, I must have too much time on my hands. I've been writing a bit, but unfortunately not here. I am trying to make an effort to put more stuff up here, but I get distracted and don't. I know, there isn't much point to having a blog if you never write on it. Oh well. I figured out how to respond to a comment, so I can do that now. Feel free to critique the poems if you want. You won't hurt my feelings.
Days
We all get them
Sunlight through the windows
more than one in a row
lighting up the dust
piling up
All over
and over
Each a little different
settling here but not there
Another night
full of the day
before it
Project into the dark
fears worries and hopes
for the days
to follow
c. 2012 C. Thames
I usually try to avoid "cute" in my poetry. The next one isn't particularly cute, but it could be seen as a bit sardonic.
Robin
The first robin of spring
back from his travels
The winter was long
but not very cold
I wonder where he's been
or if he enjoyed the trip
I guess it doesn't matter
I'm just glad
TSA let him come back.
c. 2012 C.Thames
Okay, one more. Like I said, I've been trying to write more.
Gentle Wind
Gentle wind blowing my mind
where did it all start
In a dream – a dream of air
moving moving moving
on the way away from here
to somewhere not-here
like most dreams of where
it is that's not where we are
Gone from here with its problems
its incredible inconvenience
Day after night after day
it never ends until it does
a quick cremation
flame shedding the husk
freeing me into the air
gentle wind blowing my mind
c. 2012 C. Thames
Days
We all get them
Sunlight through the windows
more than one in a row
lighting up the dust
piling up
All over
and over
Each a little different
settling here but not there
Another night
full of the day
before it
Project into the dark
fears worries and hopes
for the days
to follow
c. 2012 C. Thames
I usually try to avoid "cute" in my poetry. The next one isn't particularly cute, but it could be seen as a bit sardonic.
Robin
The first robin of spring
back from his travels
The winter was long
but not very cold
I wonder where he's been
or if he enjoyed the trip
I guess it doesn't matter
I'm just glad
TSA let him come back.
c. 2012 C.Thames
Okay, one more. Like I said, I've been trying to write more.
Gentle Wind
Gentle wind blowing my mind
where did it all start
In a dream – a dream of air
moving moving moving
on the way away from here
to somewhere not-here
like most dreams of where
it is that's not where we are
Gone from here with its problems
its incredible inconvenience
Day after night after day
it never ends until it does
a quick cremation
flame shedding the husk
freeing me into the air
gentle wind blowing my mind
c. 2012 C. Thames
Sunday, April 22, 2012
I've actually been writing a bit. Evey now and then, someone will say something to me to get me going. All I have to do is figure out how to sustain that. Oh well. Anyway, I mentioned in my last post that my friend was more interested in the words, and not so much interested in the message. I've been thinking about that a lot. I want to do both. The question is, how important is that? Is anyone interested in a message? Do poems HAVE to mean something? I don't think so. The problem is, if they don't mean anything, they should be an experience in themselves, and that's hard to do. I read a quotation by Picasso, and it hit home. He said,
"Everyone wants to understand art. Why don't we try to understand the song of a bird? Why do we love the night, the flowers, everything around us, without trying to understand them? But in the case of a painting, people think they have to understand. If only they would realize above all that an artist works of necessity, that he himself is only an insignificant part of the world, and that no more importance should be attached to him than to plenty of other things which please us in the world though we can't explain them; people who try to explain pictures are usually barking up the wrong tree."
-- Picasso
I copied that from a Youtube post, and thought it was relevant. Should we just shoot for the sound of the poem? The sense of it? Maybe if I understood art more I would be better at it? Maybe if I understood art less I would be better at it? I don't know. Recently, someone posted a tribute to Leonard Cohen on Facebook. In it, he was giving a speech on how he did what he did. He basically said that everything he did sprang from six chords. I cross-posted it on Gabrielle Calvocoressi's page and asked if we had those six chords in us. She's a working poet who is scrambling like most working poets to stay alive while writing poetry. She hasn't answered yet, and I'm not expecting an answer. I put it there because she has thousands of friends, and I wanted them to be thinking about it.
I flipped back and forth on this one. In one, I did the message thing, with an emphasis on the meaning.
A Ball of Yarn
Different roads like a ball of yarn
all going around the center
So many strands
going round and round
All connected
One beginning, one end
One ball of yarn
c. 2012 C. Thames
In the next, I was reacting to the idea of linear progression. I tend to do that. I think it comes from a background as a short story writer. I was actually writing poems before I wrote short stories, but it was ingrained into me that a short story much have a linear progression. The guiding words are, "What happened next?" in a short story. I reacted to that. The result was interesting, at least to me.
Logical Progression
A can lead to B
sunlight on a lake
Never ending ending
that continues
forever
Senses challenged
by what is not there
serendipity
The wind in the trees
not reaching my face
Sunlit midnight
rain dripping from my mind
drop drop drop
lifening the grass
lifting the life
holding down the fears
for poor A
c. 2012 C. Thames
The first time I wrote that one, I wrote "lifting the grass" but when I transcribed it onto the computer, I did a typo, and found out that I liked it better the way it is here. I like the idea of lifening. I wrote a couple more, but they're going to have to wait until next post. Enjoy.
"Everyone wants to understand art. Why don't we try to understand the song of a bird? Why do we love the night, the flowers, everything around us, without trying to understand them? But in the case of a painting, people think they have to understand. If only they would realize above all that an artist works of necessity, that he himself is only an insignificant part of the world, and that no more importance should be attached to him than to plenty of other things which please us in the world though we can't explain them; people who try to explain pictures are usually barking up the wrong tree."
-- Picasso
I copied that from a Youtube post, and thought it was relevant. Should we just shoot for the sound of the poem? The sense of it? Maybe if I understood art more I would be better at it? Maybe if I understood art less I would be better at it? I don't know. Recently, someone posted a tribute to Leonard Cohen on Facebook. In it, he was giving a speech on how he did what he did. He basically said that everything he did sprang from six chords. I cross-posted it on Gabrielle Calvocoressi's page and asked if we had those six chords in us. She's a working poet who is scrambling like most working poets to stay alive while writing poetry. She hasn't answered yet, and I'm not expecting an answer. I put it there because she has thousands of friends, and I wanted them to be thinking about it.
I flipped back and forth on this one. In one, I did the message thing, with an emphasis on the meaning.
A Ball of Yarn
Different roads like a ball of yarn
all going around the center
So many strands
going round and round
All connected
One beginning, one end
One ball of yarn
c. 2012 C. Thames
In the next, I was reacting to the idea of linear progression. I tend to do that. I think it comes from a background as a short story writer. I was actually writing poems before I wrote short stories, but it was ingrained into me that a short story much have a linear progression. The guiding words are, "What happened next?" in a short story. I reacted to that. The result was interesting, at least to me.
Logical Progression
A can lead to B
sunlight on a lake
Never ending ending
that continues
forever
Senses challenged
by what is not there
serendipity
The wind in the trees
not reaching my face
Sunlit midnight
rain dripping from my mind
drop drop drop
lifening the grass
lifting the life
holding down the fears
for poor A
c. 2012 C. Thames
The first time I wrote that one, I wrote "lifting the grass" but when I transcribed it onto the computer, I did a typo, and found out that I liked it better the way it is here. I like the idea of lifening. I wrote a couple more, but they're going to have to wait until next post. Enjoy.
Thursday, March 22, 2012
Hello Again, Again
I've been gone for a while. More mentally than physically, but the results are the same. I recently visited with a friend who likes to write. The thing is, she is more caught up in the sound of the words than the message. I think you have to get over that one. It took me a while to get over a love for words. I think it's part of something we have to do to be able to communicate. It's wonderful when they come together, but in the end, the words must serve the message, and not the other way around. I know poets have been trying forever to get the right mixture, and some actually pull it off, but that's not the point, to me. Then again, maybe it is the point, and that's why I've been gone. Who knows. It will take a smarter person than I am to figure that one out. Hopefully, I will get it together sometime soon and start writing again. I take a notebook with me where ever I go in case something pops out, but it just hasn't happened lately. Maybe when spring actually springs, it will happen. Until then....
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